With the React Infinity Run Nike uses more React Foam than ever and the shoe features an 8mm drop (30mm heel, 22mm forefoot). Nike’s React foam has been on the market now for about two years, and this foam’s resiliency is highly lauded. Nike React Infinity Run Flyknit – Lateral Side Nike React Infinity Run Flyknit Sole Unit The other very noticeable feature of the shoe was a very loose and unstructured heel collar that I’d heard was a deal breaker for some runners. The rockered sole design is obvious when trying on the shoe as is the incredible amount of soft cushioning. The design of the React Infinity Run is very unique with its elegant and simple knit upper on top of a very wide and flared midsole. I was expecting to unbox a stability version of the Nike React shoe and be disappointed. Nike claimed that those runners wearing the React Infinity Run had a 52% lower injury rate than those wearing Nike’s more traditional stability shoe, the Structure 22. I’d enjoyed running in the original Nike React Flyknit shoes and I was looking forward to trying a new iteration.Īdditionally, I felt like Nike’s contracted study to measure the efficacy of the shoe’s claim to reduce injury was inherently flawed and unreliable as there was little control in the design which consisted of 226 runner being divided into two groups to train for a half marathon. It is clear that as a company they are willing to do their research and development, and the midsole foams they’ve created in the past two years have left would be competitors in the dust. I was intrigued by the React Infinity Run since Nike announced it would be creating a shoe to reduce injury. ![]() The experience of running in the React Infinity Run is very unique in both its cushioning and ride. This is a shoe that most closely resembles the most well cushioned and protective shoes on the market including the New Balance 1080v10, Hoka’s Bondi or Clifton 6, Brooks Glycerin 17, ASICS GlideRide, the Adidas Ultraboost, and Nike’s own React and Structure series of shoes. If you’ve run in past versions of the Nike Epic React be ready for a completely different experience. ![]() The React Infinity Run doesn’t aim to correct pronation, rather it creates stability due to having a wider platform for the shoe. However, there has never been any evidence to support this and the use of medial posting and dual density midsoles has fallen out of fashion in the last several years as more runners have migrated back to neutral shoes. Reducing pronation was thought to reduce stress through the rest of the kinesthetic chain including the knees and hips. The general thinking behind injury prevention in the past with running shoes has been to reduce the amount of pronation (think inward roll) that the foot goes through during the gait cycle. Seems like a very moral pursuit for Nike, a company whose moral compass has been called into question quite a bit in the past year. Its quite something different for a company to take on the inevitable and worst part of our sport injury.Īs one of Nike’s Moonshot projects the idea of creating a shoe that reduces injury and the amount of time that athletes have to avoid running due to various niggles. ![]() It is one thing for a running shoe company to try to build the lightest racing flat or best carbon plated marathon racing shoe.
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![]() ![]() The backing tracks were recorded without lyrics or melodies pre-written. According to biographer Chris O'Leary, he played "various chord inversions for each chorus section", although Visconti said that "it's the warm string choir you hear on the part that goes, 'I've never done good things, I've never done bad things. For his parts, Hammer layered four multi-track guitar textures, each given different treatments through the Eventide Harmonizer, which were recorded in the studio's back stairwell to add extra reverb. Although desiring a Wurlitzer electronic piano to tape Bittan's piano part, Visconti ran a grand piano through an Eventide Instant Flanger to imitate the sound of one upon learning the real Wurlitzer would take too long to deliver. Bowie played the beat he envisioned for the drummer on a chair and cardboard box, which Davis studied and learned, recording the final take the next day. Davis initially struggled with the ska drumbeat. įor their parts, Alomar played "opaque reggae" and Murray played a funk bassline using a mixture of fingerstyle and slapping. Visconti stated that Hammer "would pick a note and out of his amplifier would come a symphonic string section". Hammer, who dubbed his work "guitarchitecture", formerly toured for Lou Reed and was hired by Bowie after he sent tapes of his work to him. Roy Bittan, a member of Bruce Springsteen's E Street Band who were recording The River (1980) in the adjacent studio, contributed piano while session musician Chuck Hammer played guitar synthesiser. The band, as for Bowie's previous four albums, consisted of Carlos Alomar on guitar, George Murray on bass and Dennis Davis on drums. The backing tracks for "Ashes to Ashes" were recorded under the working title "People Are Turning to Gold". The sessions for David Bowie's Scary Monsters (and Super Creeps) commenced at the Power Station in New York City in February 1980, with production handled by Bowie and longtime collaborator Tony Visconti. He created the piano sound using a flanger. Writing and recording Backing tracks Ĭo-producer Tony Visconti in 2007. The song's namesake was also used for the 2008 BBC series of the same name. In subsequent decades, the song has appeared on compilation albums and other artists have covered, sampled or used its musical elements for their own songs. Initially viewed with mixed critical reactions, later reviewers and biographers have considered it one of Bowie's finest songs, particularly praising the unique musical structure. Influential on the then-rising New Romantic movement, commentators have considered it one of Bowie's best videos and of all time.īowie performed the song only once during 1980 but frequently during his later concert tours. ![]() The solarised video features Bowie as a clown, an astronaut and an asylum inmate, each representing variations on the song's theme, and four members of London's Blitz club, including Steve Strange. The song's music video, co-directed by Bowie and David Mallet, was at the time the most expensive music video ever made. Released as the album's lead single on 1 August 1980, "Ashes to Ashes" became Bowie's second No. 1 UK single and his fastest-selling single. Bowie partially based the lyrics on his own experiences with drug addiction throughout the 1970s. An art rock, art pop and new wave song led by a flanged piano riff, the lyrics act as a sequel to Bowie's 1969 hit " Space Oddity": the astronaut Major Tom has succumbed to drug addiction and floats isolated in space. Co-produced by Bowie and Tony Visconti, it was recorded from February to April 1980 in New York and London and features guitar synthesiser played by Chuck Hammer. ![]() " Ashes to Ashes" is a song by English singer-songwriter David Bowie from his 14th studio album, Scary Monsters (and Super Creeps) (1980). From the album Scary Monsters (and Super Creeps) Once they have done this, they should select the Download Now button. ![]() The user will have to select the OS that they are using and they can also give their email if they want to(optional).They should locate the Free Trial button that is on the page and then select it.The user should search for a free download of the software online and then visit the webpage that contains a download link for it.The user should follow the steps that are given below so they can download and install Axure RP 2021: There are also high-level prototyping techniques that can be applied to make sure that the user can bridge the gap between analysis and design as much as possible. Users will be able to accurately recreate the thoughts that they have inside their heads using these tools. The design tools that are available in the software, such as SVG import and Sketch, will help users create the amazing designs that they want to. Axure will help them accomplish this with the dynamic content, conditional logic, and adaptive views that it presents. Thus, they should be prepared to be able to make as many prototypes as they need to before they go forward with their project. All the details that they have laid out in the design plan will be essentially what they want to do with their project. This is due to the fact that users will closely follow whatever design choices they have made when they are working on their projects. This is because incorrect or unclear designs can completely wreck the outcome of a project. When it comes to making designs for a project, the user will have to ensure that what they are trying to do is as accurate a representation of what project they are working on as possible. The user will be able to employ the software to create powerful prototypes that would be a great fit for almost any project that they are working on. They can create effective pictorial representations of their ideas which can make it easier for those around them to understand what they are trying to say. They will be able to display whatever they want with the amazing shape options that are available. ![]() Being able to play around with images like this may seem trivial but it is a great way for users to express themselves and make their presentations as innovative as possible.Ī library complete with flow shapes is there for the user. ![]() They will be able to slice and crop images that they want to and manipulate them in various ways. They can use diagrams or wireframes as well as a bunch of other techniques to get their points across. There are many different ways that the user can represent what they want to with the help of Axure RP. |